mozart k 377

79" published by André. So it is hardly surprising that Mozart composed a number of sonatas for violin and piano – or rather, for piano with violin. (Tellingly, this publication was dedicated to a pianist, Josepha von Auernhammer, not a violinist). Visita nuestra página web en español. For details on how we use cookies, see our. $ For those who might hear in the first movement of the Sonata in F Major, K 377, some of the drive of Beethoven’s violin sonatas, Hink and Toyama may seem to lie on the tame side, though Hink explores the complexity of the slow movement with a highly nuanced tone and a sense of the melodies’ subtlety, though even here the darkest passages may not give sufficient prominence for some listeners to the recesses, until perhaps the last pages. “These sonatas are the only ones of their kind,” an anonymous reviewer wrote in the Hamburg Magazin der Musik in 1783. The perfect gift for the classical music enthusiasts! A cookie enables our system to recognize your browser and allows us to keep your session intact on 27 av Mozart; ヴァイオリンソナタ第35番; Sonate pour violon en sol majeur K. 379; Sonata para violín n.º 27; Violin Sonata No. In addition to everything else – composer of astonishing invention and fluency, virtuoso pianist, all-round boy wonder – Mozart was an accomplished violinist and violist. He could hardly have avoided it, as his father Leopold was a master violinist and the author of the leading violin manual of the day. To the last work on the program, the Sonata in F Major, K 547, they take an approach that seems genial and relaxed in the first movement, an. Sonata in F, K. 377. The second movement is an extraordinary set of variations in D minor. We will never use cookies to retrieve information from your computer that did not originate from Itzhak Perlman - Pandora. The ambiance enhances their elegant reading of the first movement, which bubbles up exuberantly from the bass part; it lends weight to the sensitive reading of the second (in which Hink plays the cantabile passages with special eloquence), and it provides a firm underpinning in their cheerful performance of the finale. There’s little attempt here to draw attention to detail, though there’s plenty—all of it blended into the general outlines. Cookies are important to the proper functioning of a site. Fiolinsonate nr. Complete your Mozart*, Ingrid Haebler • Henryk Szeryng collection. 25 in F major, K. 377/374e; Violin Sonata No. 26 in B-flat major, K. 378/317d; Violin Sonata No. For the complete list of compositions, see List of compositions by Wolfgang Amadeus Mozart. John Henken is the Los Angeles Philharmonic Association’s Director of Publications. Play Your Part, support the LA Phil. About this Piece. Give Now If that doesn't work, please visit our help page. Click Agree and Proceed to accept cookies and go directly to the site, Werner Hink and Keiko Toyama recorded Mozart’s Sonata, K 296, on February 3–4, 2006, and the rest of the program on March 22–24, 2007, all in. But they delve deeply into the slow movement’s depths, coming up for a brief gasp of air in the finale—in which they play only the measures that Mozart completed. This transcription is realized from both the violin sonata K 378 and the clarinet Quartet, "op. that spills over into the succeeding Allegro as well as into the variations that constitute the finale. ${{ price.displayPrice }} © 2020 Los Angeles Philharmonic Association. Hink’s and Toyama’s recording will likely appeal most strongly to those who prefer to hear Mozart without an encrustation of timbral, melodic, and harmonic ideas stemming, even if indirectly, from the period-instrument movement. To these kinds of listeners the thoughtful though not ponderous performances (despite the tendency for both major and minor to sound similarly subdued) can be warmly recommended. In the first sonata, the engineers have represented the instruments in three dimensions, with a resonant bloom in the piano’s bass and a silvery richness in the violin’s upper registers. the Studio Baumgarten, Vienna (and employing the same equipment). The first movement is driven by the energy of fleet triplets flowing between the instruments as they trade melody and accompaniment. In the duo sonatas that Mozart composed throughout his career, there is a constant development of equality in the partnership, which initially placed the burden entirely on the keyboard and left the string part almost optional. 27 Name Aliases KV 373a ; KV 379 ; Violin Sonata in G Major, K… MOZART Violin Sonatas: in C, K 296; in F, K 377 (374a); in C (fragment), K 403 (385c); in F, K 547 • Werner Hink (vn); Keiko Toyama (pn) • CAMERATA 28187 (66:26) Werner Hink and Keiko Toyama recorded Mozart’s Sonata, K 296, on February 3–4, 2006, and the rest of the program on March 22–24, 2007, all in Read more the Studio Baumgarten, Vienna (and employing the same equipment). ArkivMusic - The Source for Classical Music! This means, for example, that we can keep track of items you've placed in your shopping cart while you continue to look for other products throughout the site. The Minuet finale, complete with a contrasting Trio section in B-flat, reduces the violin to its most subservient role.

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